Operation Backlog Completion 2026
Oct 312013
 

How could I celebrate Halloween without mentioning one of my favorite movies? Arsenic and Old Lace was a play that was later adapted as a movie starring Cary Grant. It is black comedy at its finest, in my opinion. The story centers around the Brewster family: the Brewster sisters, Abby and Martha, who are considered by everyone who knows them to be two of the sweetest, kindest old ladies in the world, their nephew Teddy, who believes himself to be Theodore Roosevelt, and their other nephew Mortimer, a famous dramatic critic. Teddy and Mortimer have a third brother, Jonathan, but he has long since left home and they hope to never see him again. The story begins when Mortimer marries Elaine Harper and stops to visit his aunts before leaving on his honeymoon. While there, however, he opens up the window seat and discovers a dead body.

Mortimer initially believes Teddy is a murderer, but when he brings it up to his aunts, they quickly correct him–that is one of their gentlemen, and since they’re going to bury him in the cellar with all the others, there’s really nothing for Mortimer to worry about.

They go on to explain about how one day, a lonely old man visited them and had a heart attack right there in the house. When they saw how peaceful he looked, they added poisoning lonely old men to the list of charities they perform. And Teddy, who had been down in the basement digging the Panama Canal, believed the dead men to be Yellow Fever victims, and therefore immediately buried them.

Teddy, from Arsenic and Old LaceMortimer knows something has to be done, but he doesn’t want it to be known that Abby and Martha were murderers. He finally decides that since everyone already knows that Teddy is crazy, if he can commit him to the sanitarium now, it’ll be assumed he was responsible if the bodies are ever discovered. And without Teddy to dig the canal, Abby and Martha won’t be able to take care of any more gentlemen. He begins a frantic race to commit Teddy, keep his new wife from becoming too angry with him as he delays their honeymoon, and keep his aunts from killing anyone else in the meantime.

Jonathan Brewster from Arsenic and Old LaceBut while Mortimer is gone, his criminally insane brother Jonathan returns to town with his assistant, Dr. Einstein–on the run from the police and with a dead body to hide. As far as Jonathan is concerned, the house is a perfect hideout. He can find a place to hide the body, get Dr. Einstein to change his appearance yet again (especially since people keep comparing him to Boris Karloff), and maybe, just maybe, eliminate his hated brother Mortimer once and for all.

I’ll leave the rest of the plot for you to discover when you watch Arsenic and Old Lace, because it is definitely worth watching. By the way, the play eventually returned to Broadway in the 80s with Jonathan Frid playing Jonathan Brewster. In that version Larry Storch plays Dr. Einstein, and the entire cast is excellent. But whether you’re watching the play or the movie, it’s certain to be something you’ll enjoy.


Buy Arsenic and Old Lace from Amazon

Oct 282013
 

I’m not a big watcher of horror movies, so I’d never seen John Carpenter’s The Thing before this semester. I was, however, familiar with the story, the major plot points, and the characters. Last October, Linkara began to review the comic book sequels to the movie. (He reviewed two more this October and has more planned for next year.) For those of you who don’t know, Linkara is an Internet reviewer of bad comic books. He loves the movie, but yes, he thinks the comics suck. But we aren’t here to talk about the comics (though I do recommend you check out the reviews). Let’s discuss the movie.

Fair warning: there will be spoilers in this post.

First, I want to mention the music just briefly. Sometimes I feel like movies, television shows, video games, and so on have an advantage over books because they can use sound to help create a mood. I really liked the song that played during the opening and closing credits of The Thing. It did a perfect job of setting up a sinister, creepy atmosphere.

Next, I referenced the setting in a previous post. Antarctica is not as terrifying and isolated as space, but it’s still pretty high on the list. But this movie uses that setting for a twofold purpose. It traps the research team, yes, but it also traps the Thing itself. It’s both a means to heighten the fear (no way to escape) and provide a form of grim hope (the monster can’t get to the rest of humanity). The Thing’s resources are limited because it’s in the middle of Antarctica. If it was in a more populated setting, it would become an Apocalypse scenario pretty quickly.

Even without the computer’s amazing analysis to make things clear, you can imagine how bad it would be. The Thing wouldn’t have to rely on a dozen men and a handful of dogs. With a huge variety of people and animals to infect, it would go from being the stalker/imitator of the movie to a plague–a thinking plague that actively tries to spread itself.

As monsters go, the Thing is pretty scary. Not only is it incredibly resilient and powerful, but its greatest strength is in its ability to imitate other organisms. It imitates them perfectly. This is no T-virus or Flood that mutates its host from the onset. This is a creature that assimilates its prey and becomes an exact duplicate. Until it’s forced to show itself or tries to attack someone (at which point it displays some pretty grotesque body horror), there’s nothing to set it apart from any of the others.

It could be me. It could be you. If imitation is its greatest strength, paranoia is its greatest weapon. You can’t trust anyone, and no one can trust you. I like the paranoia aspect a lot. I think that’s an excellent way to add tension and suspense to a plot. It’s a step up from the “any one of us could be the killer” plot element. The cast–or at least Macready–does eventually come up with a way to discover whether or not someone is human by doing a blood test, but they still end up with a pretty grim ending–MacReady and Childs, the only survivors, await their deaths in the wreckage of the outpost, and neither knows for sure if the other is infected. (And this is part of the reason a direct sequel to the movie is problematic.) By the way, apparently the television version managed to make the ending even more hopeless by showing a Husky running from the burning camp.

In many ways, it shows the unstoppable force of some of the other monsters we’ve looked at, but it’s also intelligent. It’s not just killing people that get in its way. It’s actively trying to get out of Antarctica. Apparently, there’s some ambiguity about whether or not infected people know they’re infected, but I like to think the Thing is in control of the infected, and that it’s smart enough to imitate their behavior well enough for no one to notice anything strange. It adds a different layer of fear and paranoia if the Thing could be lurking dormant inside of you and you wouldn’t know it until it made its move, but I still prefer the hidden malevolence of the Thing pretending to be a human.

All of these aspects come together to make it one of the scariest monsters we looked at. And as aliens go, it’s one of the most alien. It made for a solid, tense, disturbing movie.

Also, that spider-head thing is going to haunt my nightmares.

Oct 152013
 

Ridley Scott's AlienIsolation is terrifying. When the protagonists of a horror story are trapped and isolation, it’s almost guaranteed to increase the tension. A lot of different settings can accomplish this. A little house out in the rural countryside is isolated. A base in the middle of Antarctica is isolated (we’ll get back to this in a couple of weeks, don’t worry). A ship in the open ocean is isolated. But is anything more isolated than a ship out in deep space?

Space is terrifying. I love learning new things about space. I can watch documentaries about NASA and the space program for hours. And when I think about the astronauts of the Apollo missions going out there and landing on the moon–or orbiting the moon alone, which is what the third astronaut did while the other two went down to the moon, you know–I have to think that they were some of the bravest people in the world. It’s not just all of the unknowns and all of the things that could go wrong that get to me, but just the sheer fact that they were all the way out there, so far away from everyone back here.

Aliens are also terrifying, as well as being something else I can watch documentaries about for hours. And when I consider different types of monsters… Let me put it this way. I’m 99.9% positive I will never, ever encounter a legitimate vampire. Or a werewolf. Or any of a number of classic monsters. Zombies are unlikely, though I won’t completely discount the possibility. And you might know that despite my fascination with hauntings and willingness to listen to evidence and anecdotes, I don’t really believe in ghosts.

But aliens?

I’m not saying I believe in aliens. I don’t, really. Probably. I just think there’s a much better chance of aliens existing than any of those other creatures I listed. If I turned on the news and saw that we’d made contact with extraterrestrial life, I’d be shocked, but not completely. So I may not believe in aliens, but I believe there’s a chance that aliens exist.

Demons are another story entirely, but we aren’t talking about them today. We’re talking about aliens, or more specifically, Alien, the 1979 film.

Sometime in June, when I saw I’d be watching this movie for class, I went to one of the forums I frequent and told them that after the coming semester, I’d finally understand all those Alien references they make. Their response was…enthusiastic. It consisted of things like, “Wait, you’ve never seen Alien before?!” and “That is one of the few perfect movies in the world.” So of course I’m going to link them to this post. (Yes guys, I’m talking about you. :)) That gave me high hopes for the film. It also had a good cast, or at least, I like Sigourney Weaver. I also wondered about the actress who played Lambert, because her name sounded familiar. It turned out Veronica Cartwright is the sister of Angela Cartwright, who I’ve seen on Lost in Space.

Space is not as terrifying for her.

Space is not as terrifying for her.

Space and aliens are both terrifying, which puts this movie off to a good start in the realm of horror just from its premise. The ship itself, the Nostromo, reminded me of an article I’d recently read about a game called Routine, which wants its futuristic setting to look like the future was imagined in the 80s, rather than current high-tech visions. More importantly, however, the ship created an environment that was both claustrophobic and vast. If something stalks you in the setting like that, you’re trapped and constrained, while at the same time your enemy has many possible hiding places.

This is the point where anyone who hasn’t seen Alien and doesn’t want spoilers should stop reading.

You know what my favorite thing about the movie was? (Okay, to anyone who guessed “the cat,” you might be right, but I’m being more general here.) The way the alien, once it was full-grown, could blend in with the ship’s environment. It looked enough like regular stuff on the ship that it had even more hiding places than one would expect for a huge alien. I want to watch the movie again if only to try to spot it in the background in certain scenes. I love stuff like that–background events that have more meaning when you see them the second time, or things you don’t even notice the first time you see them, but were there all along. (Kind of like this awareness test, except scarier.)

So, how does the alien of Alien (a Xenomorph? Is that right, or am I mixing up franchises?) do as a monster? Fantastic! It’s got the nigh-unstoppable power and lack of morality we saw from Rawhead, and even though it faded into the background–sometimes literally–for large portions of the movie, it remained a constant threat looming over the crew. It also looked scary, especially when you only got little glimpses of it. Oh, and then there’s all the sexual symbolism. I’m pretty sure that’s been discussed to death already (considering I knew about it before I even saw the movie), so I’ll skip over it in favor of a brief discussion of the other “monster” in the film.

Let's keep some to study! What could possibly go wrong?1

Let’s keep some to study!
What could possibly go wrong?1

I didn’t trust Ash, but I assumed he was just an evil science guy, the sort of scientist who puts research and knowledge above the lives of other people. He’d rather study the alien than destroy it, even if that could lead to the deaths of everyone on the ship. Those kinds of scientists show up often enough in science fiction, after all. Instead, he’s actually a robot, programmed to follow the orders of people like that. (His superiors would have been in for a nasty shock if he made it

home with the alien.) Ash the Android took me completely by surprise and nearly distracted me for the rest of the movie. I wasn’t expecting a robot at all. Once I took a few moments to think about it, however, it didn’t bother me as much. I was willing to accept a horrific alien thing onboard a ship transporting ore through space, but a robot was too weird for me? I’m fine with it now, and even read some interesting theories about his actions throughout the movie. But as a monster, the alien definitely has him beat.

In short, I enjoyed Alien and I might consider the alien itself to be the best monster we’ve looked at so far this semester.


1: Halo. I know the Forerunners might have had legitimate reasons. But still, when you have to wipe out nearly the whole galaxy to stop an alien race, keeping a bunch to study is a terrible idea.

Update: It seems I became a fan of Alien at the perfect time to become excited for the upcoming survival horror game Alien: Isolation.